Dr Rich Pascal

Name:	Dr Rich Pascal
Position:	Visiting Fellow
Organisation:	The Australian National University
Department/Division:	School of Humanities
Primary Areas:	Arts and culture
	Literature and publishing
Expertise:	American literature; popular culture; Native American studies; gothic fiction; the 1960s; representations of Australian Aboriginals.
Organisation type:	Academic
Website:	www.anu.edu.au
Expert's direct contacts:
Phone:	02 6125 2153
After hours:	02 6281 6341
This expert is available for:	Research collaboration, Conference presentation opportunities, Other speaking engagements

Media Contact: (Note: For journalists only)
Contact:	Martyn Pearce
Phone:	02 6125 5575
After Hours:	0416 249 245
Postal:	Additional PR contacts: Simon Couper 02 6125 4171 or 0416 249 241; Alice Nixon 6125 6125 or media@anu.edu.au

Publications:	“’What is it then Between Us?’: ‘Crossing Brooklyn Ferry’ as Dramatic Meditation.” In William H. White, ed., 1980: Leaves of Grass at 125: Eight Essays (Detroit: Wayne State University Press, 1980), pp. 59-70. “Faulkner’s Debt to Keats in Light in August: A Reconsideration.” Southern Review 14:2 (July, 1981), pp. 161-7. “’Farther than Samarkand:’ The Escape Theme in Shirley Jackson’s ‘The Tooth.’” Studies in Short Fiction 19:2 (Spring, 1982), pp. 133-40. Reprinted in Joan Wylie Hall, Shirley Jackson: A Study of the Short Fiction (New York: Twayne, 1993), pp.163-170. “Love, Rapacity and Community in Go Down, Moses.” ARIEL 15:3 (July, 1984), pp. 63-79. “’Dimes on the Eyes:’ Walt Whitman and the Pursuit of Wealth in America.” Nineteenth Century Literature 44:2 (September, 1989), 141-72. “Walt Whitman and Woody Guthrie: American Prophet-Singers and their Audiences.” Journal of American Studies (UK) 24:1 (1990), 41-59. “Grounds for Vampirism: Locale and Transcendence in Anne Rice’s Chronicles.” The Ring Bearer 8:1 (Autumn, 1991), 79-84. “Hawkeye and Chingachgook in the Outback: James Fenimore Cooper in Australian Literature.” In James Fenimore Cooper: His Country and His Art, No.7: Papers from the Bicentennial Conference, July 1989, State University of New York, Oneonta and Cooperstown, 1991, 67-77. “Naturalizing ‘Ishi:’ Narrative Appropriations of ‘America’s Last Wild Indian.’” The Australasian Journal of American Studies 16:2 (December, 1997), 29-44. “’Proof Against White Blood:’ The White Indian in The Vanishing American and Laughing Boy.” The Australasian Journal of American Studies 18:2 (December, 1999), 3-23. “New World Miniatures: Shirley Jackson’s The Sundial and Postwar American Society.” Journal of American and Comparative Cultures 23:3 (Fall, 2000), 99-112. Reprinted in Bernice Murphy, ed., Shirley Jackson: Essays on the Literary Legacy (Jefferson: McFarland and Company, 2005), 81-103. “Singing Our Place Little Bit New: Aboriginal Narrativity and Nation Building in Kim Scott’s True Country.” Critique: Studies in Contemporary Fiction 46:1 (Fall, 2004), 3-11. "One Night the Moon" in Keith Beattie, ed, 24 Frames: Essays on Australian and New Zealand Film, Wallflower Press (UK). “Audible in the Silence: Douglas Lockwood, Waipuldanya, and the Aboriginal Life Narrative.” In Life Studies vol 3, no 2.